This piece finds its source in the function of cinematic. Carole Cicciu attempts to address her obsession for the passing of time by progressively shaping the identity of an enigmatic phantom. Conspicuously or not, it haunts the space-time of the work. "Sometimes things are not true yet" is a display that distorts the gap between reality and fiction; it shakes this obsession for time and its representation and propose to overcome it through motion.