Acting as a response to the dry discourse of the modern scientific publication, these artworks serve to explore the subjects of: nuclear power, cities and GE crops. Whilst robust theory and data can record hard facts, a creation of visual icons enables a digestible form of an idea to be passed through time and eventually embed itself within the public sphere. Utilising pre-existing canonical scientific imagery, this work aims to de-objectivise the process behind such idea(l)s.