Through an extraction and recombination of printers emerged from the dominant techno-social sphere and a video form, bringing narratives and theories developed by Guattari, the status of the common space of the production of signs is subject to an inquiry. A link appears in between the contemporary fabrication of the terror, and the perceptual reminiscences of the relation predator - prey. The research investigates the formation of other ‘associated milieus’ from our image technology machines.