Transmission, translation, traces, loss. In an attempt to remember a house that lives on as a ghost in her family’s memory, Francisca Khamis Giacoman (Santiago, Chile, 1988) looks for ways of keeping the house alive, a house in motion, now in another shape, without time or territory. In the performance, As far as I can remember, Francisca repeatedly draws the floor plan of this house and memorizes the stories told by the ones who lived there. The performance reveals the fragility of the media, and the interrelations between memory, body, and space. Uniting past and present, singularity and multiplicity, temporal currents flow through the work as it appears and disappears throughout the three days of the exhibition.—————————————————————————————— Through reflecting on the in-betweenness of their love relationship (boundless, fluid, unconditional), but also on all other types of love unrepresented in the institute of marriage (restricted, solid, and loaded with conditions and consequences), Francisca Khamis Giacoman and Levi van Gelder want to reclaim and re-appropriate the namesake and bureaucratic benefits of marriage to conform to their way of being, living and loving. In collaboration with Fabian Reichle, Dinamarca, Clara Rojas, Carmen Gray, Heleen Mineur, Hugo Rocci, Lizzy van Megen, Carmen Dusmet Carrasco, Andrea Gonzalez Garran, Martín La Roche, Amílcar Guzman, MAMI (Mariana Jurado Rico, Constanza Castagnet, Aimee Theriot), Emirhan Akin, Tina Bastajian, Lucie de Brechard, Tali Liberman, Armia Yousefi, Leila El Alaoui, Cosima zu Knyphausen, Juan Pablo Larrain and Carlos Ortiz.