With sound as her main subject and method, Maja Chiara Faber (Krakow, Poland, 1992) explores esotericism, sexuality, memory, and fiction. Her research focuses on queer female narratives and the deconstruction of patriarchal structures, emphasizing healing and communal bonding. Screaming in a similar key consists of a video installation and performance. It maps the connections that the pre-Christian and pre-colonial era have with current decolonial movements. By mixing Slavic paganism’s iconography, rituals, legends, and facts with her own mythology of being queer, femme, and intersex, Faber speculates about possible futures.