“Within her work, Atefeh Alaeddin also addresses the murky territory where reality meets fiction—or when memory fraternizes with fact—combining photography, video, archival material, and text in sensory installations that tug on the edges of truth. A focus on the autobiographical is also woven throughout Alaeddin’s work, with her interest in memory and the conditions and politics of recollection having a central role in her life since childhood—a period that, for some time, she was unable to recall memories from.” Excerpt from an essay on Atefeh Alaeddin by Isabelle Sully