"Unwinding and re-spinning an electromagnetic tape encoded with theorist Mark Fisher’s discourses on “the weird” and “the eerie,”1 Romera’s work asks his audience to step into otherness: to lose and to find themselves again, in the vast, un-silent, vibrating stillness of energies seated just out of earshot. Employing tactics of acoustic archeology, performance, and site-specific installation, Romera inverts physical and sonic horizons. Bodies—architectural as much as human or animal—are probed for their vibratory potential, and vice versa." Extract from an essay on Luis Lecea Romera by Marissa Lee Benedict and David Reuter