As coping does not need to be rational, or does not necessitate dryness, Slumming At The Rodeo Gardens intermingle with theory & practice to propose a Resistance making room for the personal, the not-knowing & the crooked: dissolving the boundary between the political & the sensible. Composting mediums borrowed from the French bourgeoisie to transpose them into a interbred contemporary body of work, de Bréchard’s discourse argues for a critical visual pleasure via the messy & the confused.

Special thanks: Anja Groten, Tina Bastajian, Rob Schröder, Daniel van der Velden