In my practice, I cross over references and link them in an unhierarchical way. Those fragments glued together become monsters. Their skins and surfaces are seductive, colorful and shiny, but they hide something disturbing. They outline bodies that stand between humour and the uncanny. Like a trompe l’oeil, they flirt with the eyes of the viewer, even if finally an empty character stands behind the gaze. The emptiness of those grotesque figures is reminding us that everything around us could be an imitation, a ghost coming back from the past, or a combination of something haunting and humourous.