The practice of Megan Hadfield (Southampton, United Kingdom, 1994) deals with mystical constructions of text as a material which might manifest or embody dirt, desire, and deviant literary characters. Drawing from oral traditions to invoke unspoken dialectics in contemporary platforms, she conjures poetic phenomena to be encountered and reanimated in the form of installation, audio, and printed matter. With Exorcise, Hadfield speculates about the history of the structure she shows, emphasizing the possibility of merging temporalities.