Raphael Jacobs’s (Oedt, Germany, 1994) Begegnungszone is a transmedia exploration of the drama within the quotidian, inspired by ideas of urban planning to create spaces of encounter. In Begegnungszone characters meet within the performance of their everyday life. Within materialities such as film, text, and drawing, the archived encounters blur the boundaries of dramatic theater, rehearsal, short film, and live experience. The individual streams float together in a state between private revelation and rendered fiction.