“By scrutinizing the garden in a quasi-forensic manner, Zepka suggests a narrative that remains unseen or only suggested by the sound of birds and the rustling of branches. The enclave of the garden and the collective histories it contains are merely re-presented in a way that leads the viewer to reflect upon the conditions under which territories are shaped and cohabitation is made possible over time.” Excerpt from an essay on Juliana Zepka by Emile Rubino