“A turn to the celebratory emerged out of the artist’s experience of taking part in political protests in moments when the ongoing violence and injustice of Palestinians were ignited by specific events that would temporarily capture mediatic and global attention. She was interested in how the affectual and relational forces—the feelings of anger, belonging, joy, and desires for regimes of truth that emerge and ripple across the participating bodies—in such protests could be mobilized, not only in reactive, but also, in active continuous forms.” Excerpt from an essay on Karmel Sabri by Anik Fournier