“The installation has a poignant sculptural quality in so far as the images are presented across a series of different shaped and sized monitors spanning the history of screen culture. This screen composition not only performs an archeology of technology through time, it also stresses further how language and images circulate across bodies, both human and non-human. Information is embodied in these different entities whose morphologies, as literary critic Katherine Hayles reminds us, become part of what is communicated when we encounter them.” Excerpt from an essay on Mariana Fernandez Mora by Anik Fournier