“Terk’s mode of producing and accumulating knowledge—although it takes many shapes such as workshops, publications, and event curation—can be seen as an act of expanded writing. What guides her is not the lens of a writerly camera moving about the world like an ever-seeing eye, rather, she follows sensation, writing through movement in duration that elevates often ignored knowledge forms. This writing is done collectively, taking place in institutional spaces, and suggests the possibility of sharing a deliberate bodily practice that is still autonomous. This deliberateness is achieved by approaching different strategies for responding to the words of the aforementioned lexicon. This creates a hybrid of recognizable and unrecognizable forms.” Excerpt from an essay on Micaela Terk by Baha Görkem Yalım