“Although this practice could be described as one of [overwriting or underwriting, marginalia or inscription, sedimentation or translation, multichannel recording or two-way projection], it is insistently temporal. Interspace, as felt through Kroon’s work, is somehow at once dry and slippery: revealed, as it is, through [careful, precise, brittle, delicate, ephemeral, vaporous, gaseous] encounters with material-spatial-social dynamics, and as [stubborn, insistent, present, resilient, potentially misconstrued] as language itself.” Excerpt from an essay on Puck Kroon by Marissa Lee Benedict and David Rueter